An Afternoon at the Opera: The Radio Days Creative Team

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Music Director - Collaborative PIanist - The Old Maid and the Thief
William R. Hicks
WILLIAM HICKS is a renowned voice coach, pianist, and conductor who has made significant contributions to the music industry. As a voice coach, Hicks has worked with some of the leading singers of all time, including Luciano Pavarotti, Licia Albanese, Franco Corelli, Anna Moffo, Roberta Peters, Renata Scotto, Teresa Stratas, Renee Fleming, Deborah Voigt, Regina Resnik, Marta Eggerth Kiepura, Thomas Hampson, and Harolyn Blackwell. He is known for his ability to help singers find their unique voice and develop it into a powerful instrument, and he has a wealth of experience working with singers from various genres, including classical, musical theater, and contemporary music. Hicks has also had a successful career as a pianist, accompanying countless singers and performing in numerous concerts and recitals. He is highly regarded for his musicality, technical proficiency, and ability to collaborate with singers in a supportive and creative manner. His expertise as a pianist has helped many singers bring their performances to life, and he is highly sought after as an accompanist for voice recitals and auditions. In addition to his musical and pedagogical activities, William is the founder and Chairperson of Action for Artists, a non-profit organization dedicated to mentoring and financially assisting performing artists at the beginning of their careers.
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Collaborative Pianist - Concert
Eric Malson
Mr. Malson works extensively with singers, and has been engaged to prepare over 40 operatic productions in the U.S., Mexico, and Europe. He has appeared in concert with sopranos Deborah Voigt and Eva Urbanová, tenors Thomas Studebaker, Lawrence Brownlee and Charles Reid, basses Alfred Walker and David Pittsinger, and baritones Laurent Naouri and Chistophoren Nomura, among many others. He has recorded for the Sony and Lyrichord labels, where his recording of the Brahms Magelone songs with tenor Paul Mow was released to critical acclaim. He has served on the musical staff of various opera companies, including the Bühnen der Stadt Köln, Teatro Nacional São Carlos (Lisbon), Seattle Opera (Wagner’s Ring cycle), Washington Opera at Kennedy Center, Opera Zuid (Netherlands), Theater der Stadt Heidelberg, The Dallas Opera, Opera Theatre of St. Louis, and the Cleveland Opera. Mr. Malson has served on the opera faculties of the Juilliard School of Music and the Mannes College of Music, as well as the accompanying staff of the Curtis Institute of Music, and the accompanying and chamber music faculty of the Cleveland Institute of Music. He has served as official accompanist for various competitions, including the Eurovision Young Musicians Competition, Carnegie Hall International American Music Competition, William Primrose International Viola Competition, and the Metropolitan Opera National Council District Auditions.
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Director
Stephen Scovasso
Stephen Scovasso is a musicologist, conductor, director and author. He has directed operas including, Carmen, Tosca, La Bohème, Don Giovanni, Gianni Schicchi, Cosi fan Tutte as well operetta's such as The Merry Widow and Die Fledermaus. He has also directed American Musical Theater pieces such as Sondheim’s Sweeney Todd, Into the Woods and Bernstein’s Candide. In the dramatic theater, Stephen has directed Garcia Lorca’s La Casa del Bernarda Alba, Oscar Wilde’s Salome. In conjunction with SAS Performing Arts Company, he has produced and directed 6 full length virtual streams including Dracula: The Radio Play, Dickens's A Christmas Carol. Oscar Wilde's The Importance of Being Earnest and Lewis Carroll's Alice in Wonderland and Shakespeare’s A Midsummer Night's Dream as well as many virtual concerts and holiday concerts. Stephen studied Operatic and Symphonic conducting under the tutelage of the late Vincent La Selva. Among the works he has conducted are Beethoven’s Symphony no. 9 in D minor, Handel’s Messiah, Puccini’s Tosca, and Mozart's Don Giovanni. During his years at Arizona State University, he taught classes on the Baroque Style, Opera, American Musical Theater, and Stephen Sondheim. Mr. Scovasso has also published a treatise on Puccini's Il Trittico and the end of Italian Opera

Creative Team