The Sound of Music Creative

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Producer
Steve Reinke
Assistant Producer & Set Designer
Kristl Densley
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Director
Patrick Nolan
Patrick has spent the last 7 years active as a performer in or producer of VTC shows but hasn’t taken on the mantle of director in over 35 years. And not only is this his VTC directorial debut, this is also the first musical he has directed. For any sane person, this would seem a daunting (if not impossible) task. But thankfully, Patrick is not entirely sane … AND he had the support of an all-star cast and production team. Would he think twice (or even thrice) about doing such a thing again? Certainly. Would he think twice about working with such amazing people again? Absolutely NOT. He’d do it in a heartbeat…and twice on Saturdays.
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Assistant Director
David Connolly
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Music Director
Elise Rhodes
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VTC Executive Director
Jessica Solberg Black
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Choreographer
Emma Tolmich
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Conductor
Andrew Spencer
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Rehearsal Pianist
Kamron Emery
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Stage Manager
Erin Gray
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Assistant Stage Manager
Francesca Corso
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Backstage Manager
Megan Bilyeu
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Costume Designer
Cami Reinke
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Assistant Costumer
Katie Odiaga
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Hair & Makeup Designer
CharRe Burnum
Hair & Makeup Assistants
Faith Clyde, Amber Quinn, Lisa Broweleit
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Props Assistant
Russell Daly
Props Assistant
Courtney Wellington
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Sound Designer
Whitney Swain
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Sound Technician
Turner Englehart
Sound Assistant
Becky Robinson
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Lighting Designer / MPAC Facility Manager
Mike McCloskey
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Front of House Coordinator
Corinne Grieve
Box Office Manager
Leah Irwin
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Front of House Assistant
Lynn Grieve

Original Creative Team

THE SOUND OF MUSIC

Music by RICHARD RODGERS
Lyrics by OSCAR HAMMERSTEIN II
Book by HOWARD LINDSAY and RUSSEL CROUSE

Suggested by "The Trapp Family Singers" by Maria Augusta Trapp
Music and Lyrics for "Something Good" by Richard Rodgers

THE SOUND OF MUSIC is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization. www.concordtheatricals.com

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Richard Rodgers' contribution to the musical theatre of his day was extraordinary, and his influence on the musical theatre of today and tomorrow is legendary. His career spanned more than six decades, his hits ranging from the silver screens of Hollywood to the bright lights of Broadway, London and beyond. He was the recipient of countless awards, including Pulitzers, Tonys, Oscars, Grammys and Emmys. He wrote more than 900 published songs and 40 Broadway musicals.

Oscar Hammerstein II was born on July 12, 1895 in New York City. Hammerstein found his niche with some of the greatest composers of his day, breathing new life into the moribund artform of operettas. During the years that Hammerstein was redefining the terms of operetta, Richard Rodgers and Lorenz Hart were challenging the accepted norms of musical comedy with shows that set new standards for wit, sophistication and innovation. The Rodgers & Hammerstein partnership began with Oklahoma! (1943). Like Hammerstein's Show Boat and Rodgers & Hart's Pal Joey, the first Rodgers & Hammerstein musical was a groundbreaking milestone, blending musical comedy and operetta into a whole new genre - the musical play. Oklahoma! was also the start of the most successful partnership in Broadway history and was followed by Carousel, Allegro, South Pacific, The King And I, Me And Juliet, Pipe Dream, Flower Drum Song and The Sound of Music. His last musical was The Sound of Music, written with Richard Rodgers in 1959; his last song was "Edelweiss," written for that musical during its Boston tryout. Oscar Hammerstein II died at his farm in Doylestown, Pennsylvania, on the morning of August 23, 1960.

Howard Lindsay (1889-1968) was an actor, stage manager, director and playwright before teaming up with Russel Crouse. Russel Crouse (1893-1966) was a newspaperman, a press agent for the Theatre Guild, the author of several books and a librettist before partnering with Howard Lindsay.

Lindsay and Crouse's partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein); the Pulitzer Prize winning State of the Union; Call me Madam and Mr. President (scores by Irving Berlin); The Prescott Proposals and The Great Sebastians. They produced The Hasty Heart, Detective Story and Arsenic and Old Lace.