Footloose the Musical Creative

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Director & Intimacy Choreographer
Cody Allyn Page
Cody (he/they) is the directing force behind Popovsky Performing Arts Studio's summer production of "Footloose!" Cody is excited to work with this awesome production team as they collaborate together to bring this production to life. A seasoned director, assistant professor of theatre, and intimacy choreographer, Cody is thrilled to be back in the director's chair after the pandemic delayed this production in 2020. Known for previous PPAS hits like "The Lightning Thief" and "Carrie: The Musical," Cody looks forward to each audience member seeing the absolute joy that each cast member brings to this production. Last summer, Cody skillfully handled the intimacy choreography for "Mean Girls the Musical," and is now ready to take the helm once more, with the same passion and enthusiasm. When not directing, Cody is an avid TTRPG enthusiast, always looking for the next great adventure. Additionally, they are known for being the grandma-core friend, taking on every new craft, home project, and cooking experiment possible. Special thanks go to family and friends who have repeatedly heard the phrase, "I can't, I have rehearsal," and offered unwavering support. With this being Cody's last production in PA before embarking on a new teaching journey in the Midwest, they are excited to leave the audience with a toe-tapping, heartwarming experience that truly celebrates the power of community. Get ready to cut loose, and join us for an unforgettable ride! IG: dr.cappilyunknown
Music Director
A. Scott Williams
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Choreographer
Rebecca Gentry
Rebecca Gentry is a professionally trained ballet and ballroom dancer, though she dabbles in a variety of dance styles, from Bachata to Bollywood, Tap to Tango. She is the owner of City Ballroom Ballroom Dance Studio and the director of The Dance Collective, Lancaster's only youth ballroom and latin competitive dance team. She has performed locally with the Grant Street Dance Company, PRiMA Theatre, and UpFront Theatre Company, has choreographed for both PRiMA and UpFront, as well as Encore! Home School Productions, the Lancaster Academy for the Performing Arts, the People’s Shakespeare Project, and The Musical Box Theatre Company in Red Lion. She is resident choreographer at Manheim Central High School and Columbia Borough. This is her first main stage production with PPAS! Everybody cut loose!
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Assistant Director
Caroline McEligot
Caroline is so excited to be a part of the directing team for Footloose! Caroline is a recent grad from the University of Pittsburgh where she received a Bachelor’s degree in Linguistics with Minors in Theatre Arts and American Sign Language. Previous directing credits include Spring Awakening (Assistant Director) and Legally Blonde (Music Director). Previous work with PPAS includes Carrie: The Musical (Ensemble) and The Lightning Thief (Clarisse). She would like to thank Cody and the team at PPAS for their support in allowing her to pursue her interest in directing!
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Production Stage Manager
Erin Crimmel
Erin recently graduated from Millersville University with a Bachelor of Arts degree in Entertainment Technology. This is her first time working with Popovsky Performing Arts Studio and she is super excited for this opportunity. A few of her past projects include being the Stage Manager for Carrie: The Musical, Production Manager for Big Fish, and acting in several Millersville University theatre shows. Also, Erin was recently the choreographer for the show Love’s Labour’s Lost for the Lancaster Shakespeare Theatre. After the show, Erin hopes to continue to further her career in both Production and Stage Management, as well as become a choreographer!
Lighting Designer
Tori Sexsmith
Sound Designer
Shaun Ressler
Set Designer
Cory Steiger
Cory is a Philadelphia based designer, actor, and illustrator pursuing an MFA at Temple University. He is grateful to Popovsky Performing Arts studio for the opportunity to scenic design and wishes the cast and crew a fantastic run of Footloose.
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Producer, Props Master, Costumer
Christyn Rutter
Producer
Michael Popovsky

Original Creative Team

Tom Snow (Music) has been making music, recording albums and writing hits for himself and other artists - on record, on radio, in the United States and all over the world - since the early 1980s.

He has twice been nominated for the Academy Award for Best Song from a Motion Picture: "Let's Hear It for the Boy" from Footloose (1984) and "After All" from Chances Are (1990); and he has twice been nominated for the Grammy Award: Best Album of Original Score written for a Motion Picture - Footloose soundtrack; and Song of the Year - "Don't Know Much."

He has released four solo albums: Country (Clean Records, 1971), Taking It All in Stride (Capitol Records, 1975), Tom Snow (Capitol Records, 1976) and Hungry Nights (Arista Records, 1982).

Tom's scoring work has appeared in films (Chances Are) and on television (Grand, Steel Magnolias, Teech, etc.) He has added songs to numerous motion pictures including Honey, I Shrunk the Kids, Footloose, The Butcher's Wife, Sing, Oliver and Company, About Last Night, All the Right Moves, Two of a Kind, Lion King 2: Simba's Pride, and Heart Like a Wheel.

Some of the artists who have recorded Tom's material include The Pointer Sisters, Olivia Newton-John, Diana Ross, Ray Charles, Kenny Loggins, Barry Manilow, Cher, Linda Ronstadt, Bonnie Raitt, Tina Turner, Joe Cocker, Levon Helm, Gladys Knight, Anne Murray, Ringo Starr, George Benson, Sergio Mendes, Deniece Williams, Bette Midler and Dusty Springfield.

His hit songs have been repeatedly honored with BMI Citations of Achievement for their radio popularity, songs like "Love Sneaking Up On You" (Bonnie Raitt), "Don't Know Much" (Linda Ronstadt and Aaron Neville), "If Ever You're In My Arms Again" (Peabo Bryson), "He's So Shy" (The Pointer Sisters), "Somewhere Down The Road" (Barry Manilow), "You Should Hear How She Talks About You" (Melissa Manchester) and "Deeper Than The Night" (Olivia Newton-John).

In 1986 Tom won the prestigious Robert J. Burton Award for BMI's Most Performed Country Song of the Year - Dolly Parton's "Don't Call It Love."

His latest projects embrace the worlds of pop music, motion pictures and the theatre (the stage adaptation of Footloose features nine new songs by Snow; he also contributed material for Amanda McBroom's Heartbeats). Snow contributed a song to Joe Cocker's 2002 release, No Ordinary World and songs on both of Christina Aguilera's English and Spanish language albums.

Tom Snow attended the Berklee College of Music and was awarded the Distinguished Alumnus Award in 2000. He is a member of the Academy of Motion Picture Arts and Sciences.

Dean Pitchford (Stage Adaptation & Lyrics) was born and raised in Hawaii and graduated from Yale University, Dean Pitchford performed off- and on-Broadway (Godspell; Pippin) before turning to songwriting, screenwriting and directing.

Dean was nominated for four Academy Awards (winning the 1981 Best Song Oscar for "Fame," co-written w/ Michael Gore), three Golden Globes (winning for "Fame"), eight Grammys and two Tonys; his songs - recorded by such artists as Barbra Streisand, Whitney Houston, Cher, Peter Allen, LL Cool J, Kenny Loggins, Hugh Jackman, Dolly Parton, Bette Midler and Martina McBride - have sold over 70 million records.

The musical stage adaptation (with Walter Bobbie) of his original screenplay for Footloose ran for more than 700 performances on Broadway and is now seen all over the world. Dean also provided the lyrics for Carrie: The Musical, which was produced in 1988 by the Royal Shakespeare Company -- first in England and then on Broadway -- and was revived in 2012 by New York's MCC Theater.

Dean's middle-grade novels, The Big One-Oh and Captain Nobody, are published by Putnam/Penguin; his performances of their audiobook recordings (Listening Library/Random House) were both nominated for Grammys. His third novel, Nickel Bay Nick, was published to acclaim in 2013, and Dean voiced that audiobook for Audible.com.

In 2019, the musical adaptation of his first novel, The Big One-Oh!, premiered at New York’s Atlantic Theatre with lyrics by Dean, music by Doug Besterman and a libretto by Timothy Allen McDonald. www.deanpitchford.com

Walter Bobbie (Stage Adaptation) directed the New York productions of Bright Star, Venus in Fur, The Landing, Golden Age, School for Lies, Irving Berlin's White Christmas, Chicago, The Submission, Cabin Pressure, The Savannah Disputation, New Jerusalem, High Fidelity, The Other Woman, The Marriage of Bette and Boo, Sweet Charity, Twentieth Century, Footloose, Durang/Durang, For Whom the Southern Belle Tolls, and A Grand Night for Singing. He was artistic director of City Center Encores!, where he also directed Fiorello!, Chicago, Tenderloin, Golden Boy, No, No, Nanette, and Zorba! as well as the Carnegie Hall concerts of South Pacific and Carousel. Mr. Bobbie served for 12 years on the Board of the Stage Directors and Choreographers Society. He is the recipient of Drama Desk, Outer Critics Circle and Tony Awards.

Jim Steinman (Additional Music) Though Jim Steinman began in the theatre, he was best known as a songwriter/producer whose records sold more than 96 million copies.

The L.A. Times described him as the Richard Wagner of rock. At Amherst College he wrote and starred in the epic musical The Dream Engine. It caused a sensation, and N.Y. Shakespeare Festival's Joe Papp bought the rights at intermission. His first professional musical was More Than You Deserve at the Public Theater. When a singer named Meat Loaf auditioned for him, Spin Magazine called the meeting "one of the top ten most important moments in the history of rock and roll." Then came his first record, the legendary Bat Out of Hell, with Meat Loaf, the biggest debut ever and the third best-selling disc of all time, well over 30 million. Sixteen years later, in 1993, the sequel, Back Into Hell, topped the charts in 38 countries. Number One songs include “Total Eclipse Of The Heart” (twice, 1983 and 1995), along with “Paradise By The Dashboard Light,” “Making Love Out Of Nothing at All,” “Two Out Of Three Ain't Bad,” “I'd Do Anything For Love But I Won't Do That" (biggest rock single sales ever), “It's All Coming Back To Me Now” (Celine Dion, 1996). He made one platinum album as a singer, Bad For Good. Film music: Footloose, Streets of Fire, The Shadow.

Steinman has written Neverland, a musical; lyrics for Whistle Down the Wind, composed by Andrew Lloyd Webber; and music for Dance of the Vampires, a rock opera for director Roman Polanski. Bat Out of Hell—The Musical made its world premiere in the U.K. in 2017 and is currently touring the globe.