Jessamyn Bateman-Iino (they/them) is a Seattle area prop designer and stage manager. Past favorite shows include A White Haunting (MAP Theatre) and The Last World Octopus Wrestling Champion (ArtsWest). They also make cute and creepy crafts, which can be found at mutinyhall.com.

Kelleen Conway Blanchard is a playwright with a penchant for the monstrous and creepy. Her work has been seen at Annex Theatre, 18th and Union, Seattle immersive, Pony World, Spit and Vigor, The Strand, The 14/48 Festival, Her 2012 femme-spoliation Kittens in a Cage received rave reviews and spawned an acclaimed web series. Her work has also been heard on Ugly Radio and Battle Crow Collective Radio.

Angelo Domitri has been designing lights around Seattle for the last decade and is very excited to be making his MAP debut. Past designs have been featured at: Nordo, Theatre Off Jackson with Noveltease Theatre, and Seattle Public Theatre with The Habit Comedy.

Jocelyne Fowler has designed for MAP Theatre (The Art of Being Bad Men), Shakespeare Company (Twelfth Night (Musical), Arms and the Man, Mrs. Warren's Profession, Titus Andronicus, Richard II), Taproot Theatre (The Spitfire Grill, Babette’s Feast, Steel Magnolias, Arsenic and Old Lace, Lady Windermere’s Fan, A Civil War Christmas), Book-It Repertory Theatre (Howl’s Moving Castle, Jane Eyre, Treasure Island, Emma, Pride and Prejudice, Frankenstein, Anna Karenina), ArtsWest (Born With Teeth, Head Over Heels, The Last World Octopus Wrestling Champion, Office Hour), Harlequin Productions, Vashon Opera, Youth Theatre Northwest, SecondStory Repertory, Bellevue College, Roosevelt High School, Overlake School and others. She is the recipient for the 2016 Gregory Award in Outstanding Costume Design. Upcoming work can be seen with Seattle Public Theatre (The Moors) and Seattle Shakespeare Company (Romeo and Juliet). www.jocelynefowler.com

I’ve been a working actress, director and producer in Seattle since 1994. I’m one of the Producing Directors at MAP Theatre, where I’ve directed many MAP shows (Year of the Rooster; Belleville; Soft Click of a Switch; and A Behanding in Spokane). Much of my energy in the past several years was willingly spent on fortifying the future of the 18th & Union Arts Space as the Interim Executive Director, where I’m now Board President. Also a shout-out to another of my long-time creative homes: The 14/48 Projects, where I am also a Board Member. I’m thankful that Brandon Ryan invited me to produce with him about 15 years ago. Limitless gratitude and love to Mark Boeker for his patience and for creating such a comforting home to return to.

Robin Macartney (she/her) is an award-winning set and prop designer who has been fortunate to work with a large number of the theater companies in seattle and the Puget sound area. She is the resident set designer at Theatre off Jackson,as well as the former scene shop supervisor for the University of Puget Sound’s theater department.

Andy is a local performer, playwright, producer, HR professional, skateboarder, husband, father, and repeated saver of Hyrule. They've been active in Seattle's performance scene for nearly 20 years and generally love supporting the creative weirdo storytellers of our community. Andy has produced and/or performed dozens of plays and creative events around town. Currently, he's supporting new play development through his group, The Trust, which work with new and veteran writers alike to cultivate Seattle's potential as an international new works hub. Interested in new work, find him on the socials and get in touch! They are also nearly 200 hours into Tears of the Kingdom, and that is indeed the good work that needs doing.

Sarah works a boring corporate day job, acts as in-house Stage Manager for MAP Theatre, works on staff at 18th & Union, and makes dice to sell at nerdy conventions. When she has free time from her many jobs, she spends time with her cats and reads any book with magic, sword fighting, or dragons. Sarah has worked with Sound Theatre, Theatre 22, Lamplight Productions, CenterStage Theatre, and Radial Theater Project, among others.

Joseph Swartz, Sound Designer, (he/him), is happy to return for his 5th MAP sound design, previously designing The Feast, Art of Bad Men, Belleville, and Year Of The Rooster. A few other favorite Seattle sound designs include: Dancing At Lughnasa, Bach At Leipzig, King Lear, Love & Information, and the broadcast production of Held Together for SPU Theatre; Crime And Punishment, A Streetcar Named Desire, and Native Son for the old Intiman Theatre; and a 2013 production of Cliffhouse for Macha Monkey Theatre which earned him a Gregory Award nomination. Joseph is a Seattle native, a graduate of the Art Institute of Seattle (R.I.P.), and spends most of his days making or listening to music, collecting records, running the sound department at Seattle Children's Theatre, and keeping his couch from floating away.