Ed Brown was introduced to community theater before he was in his teens. His father designed, directed, and produced many local shows. His mother acted and sang in many others. Following service in the Marine Corps Ed attended the Hunter College theater program. Starting at Hunter, and continuing as technical director in private education and showcase theater, Ed has designed and built sets and designed lighting for several score shows, including A Funny Thing Happened On The Way To The Forum, Anything Goes, Arsenic And Old Lace, Barefoot In The Park, Cabaret, Fiddler On The Roof, Grease, How To Succeed In Business, Prisoner Of Second Avenue, Sound of Music, The Time Of Your Life, and You're A Good Man Charlie Brown. Ed is grateful to Ghostlight Players for the opportunity to get back into theater after several decades absence.

Nick is delighted to be back this season with Ghostlight! He was the lighting designer for all of Ghostlight's shows in its first season at Richmondtown and most of last season's shows as well. He is delighted to be working with Katie Scibelli once again. Nick has also provided his theatrical lighting skills for other Staten Island community theatres, including Staten Island Shakespeare Theatre, and was the lighting designer for the outdoor premiere of Staten Island: The Musical. Nick runs his own entertainment company, Emerald Entertainment, an event and lighting production company, that stages everything from DJ events, to birthday, parties to Santa visits, to corporate events -- including lighting design, balloon structures, DJs, bartenders and wait staff, planning, light shows, lightening, fog machines, LED robots, dance floors, stages and just about anything a client can imagine to enhance their event. Nick also provides audiovisual services for the Staten island Ferry Hawks.

Victoria is a veteran of Ghostlight Players as this will be the 7th production that she has worked on! Performance-wise with Ghostlight, you may have seen her as Luisa in The Fantasticks, Amelia in Pride and Prejudice, a Featured Singer in “A Very Ghostlight Christmas” and as Meg in Crimes of the Heart. She also has worked on Hair and Makeup for both 1776 and The Man Who Came to Dinner! Victoria Stage Managed Uncle Vanya with SIST. As you can see, Victoria is no stranger to all aspects of theatre. Some of her most cherished roles include, Jo March in Little Women, Ophelia in Hamlet, Vanda in Venus in Fur, Luisa in The Fantasticks and of course the lead hobo named Sophie in Annie. She made her Staten Island directorial debut with Clever Little Lies at the Little Victory Theatre. Next up, she will be playing Ellida in The Lady from the Sea at SIST and she will be directing Frankenstein for SIST in the Fall. She graduated from Wagner College with her degree in Arts Administration. She is currently working as a Casting and Recruitment Intern at RWS Entertainment Group.

Mitch Maglio has been acting and directing since 1971. His most recent credits include The Fool in King Lear, The Gravedigger in Hamlet, Metz in The Man Who Came to Dinner and Nestor, in Troilus and Cressida His Directing credits include Judgement At Nuremberg, Play it Again Sam, The Odd Couple, Waiting For Lefty and The Merchant of Venice. Mitch is also a published author. His most recent books Include "Fiction House - From Pulp To Panels" (IDW), "Jungle Girls" (IDW), and "The Noir of Matt Baker" (Boardman Books)

Katie is happy to be back managing a fourth Ghostlight show after A Christmas Carol, A Few Good Men, and I Love You, You're Perfect, Now Change. Other recent local management credits include Sundog Theatre's 2022 Scenes from the Staten Island Ferry and the premiere & workshop productions of Staten Island! the Musical. Beyond the borough, she has worked as a stage manager or assistant scenic designer on productions such as the New York premiere of The How and the Why with Good Egg Theater this fall, 2022’s Night of Covenant House Stars at Chelsea Industrial, and En Garde Arts’ Fandango for Butterflies and Coyotes, from its 2020 opening at La MaMa through its recent run at La Jolla Playhouse this September. She would like to thank everyone at Ghostlight and especially the whole cast & crew of Saint Joan for welcoming her as a late addition to the team and dealing with her hectic schedule all while they were already busy tackling this tremendous play.

I have been costuming shows for 40 years.It was an interesting challenge to costume this show because the director had a specific vision he wanted to carry out.. Through trial and error and creative collaboratio, I am very proud of the ultimate results. It was a pleasure to work with the cast and crew.