(beyond) Doomsday Scrolling is an original work of feminist epic-theatre about women, war, displacement, and resistance. Set in an imagined theater sheltering women fleeing from wars across time and across the globe, this dramatic cabaret connects the invasion of Ukraine with the larger landscape of systemic aggression around the world – and centers women in the story of war. Created by AnomalousCo (a predominantly queer/woman-led, feminist, transdisciplinary performance collective), this multilingual, intergenerational, and music-driven show is performed by 12 women and 1 man, from 10 countries: Ukraine, China, Cuba, Moldova, Poland, Russia, Iceland, Turkey, Italy, and the US. 

“Truly unlike anything seen in New York in the past decade. This cast–this frigging cast–is the most connected, the most grounded, the most vulnerable, the most impactful I’ve seen in years.” -The Theatre Times

Poster credits: 

Photo: Omer Kaplan

Art design: Lesya Verba

This performance is a Production Opportunity Partnership (“POP”) at the ATA.  This is a specialized program where ATA subsidized the cost of production, helping to support indie-theatre.

Founded in 2016, AnomalousCo is a predominantly queer/woman-led, feminist, transdisciplinary performance collective, collaboratively creating original works at the intersection of drama, new media, circus arts, installation and immersive performance, and music theatre. With a core team based in the US (New York), we maintain collaborative partnerships across the globe. Practice as research and experimental pedagogy are central to our work. Our methods are syncretic, drawing upon the rich lineage of twentieth and twenty-first century European and US performance practices. Our productions are devised in both professional and academic settings. Our work has been seen across the US, and in Poland, Romania, France, Russia, and globally online.

We are a theatre without borders: intercultural, international, multilingual and committed to:

• foregrounding minoritarian voices in the US and abroad;
• amplifying the voices and the perspectives of women;
• transcending national borders, working in collaboration with artistic teams around the globe - facilitated by new media technologies and forms - and creating multilingual works that give expression to a multicultural perspective;
• generating both original and pre-scripted works of performance that explode disciplinary boundaries and engage with the urgent issues of our time;
• adhering to a collaborative ethos: distributed leadership models, group decision making, and networked structures of cooperation.

American Theatre of Actors, Inc. (ATA) was founded in 1976 by James Jennings to promote the development of new playwrights, directors and actors, and to provide them a creative atmosphere in which to work. The plays are dramas, comedies, and hybrids, dealing with the social and ethical problems of contemporary society.

12,000 actors have worked at ATA including Dennis Quaid, Bruce Willis, Dan Lauria, Chazz Palminteri, Danny Aielo, David Morse, Edie Falco and Kathryn Hahn. Our productions are sometimes grouped as 'festivals,' such as a Playwrights Festival or a Directors Festival. In 2016 we began an initiative to feature women in theatre as directors and playwrights, today this is our WIT! (Women in Theatre) program.

**HEALTH & SAFETY at the ATA:
Late seating may be problematic.

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Ticket purchasers are responsible for informing and providing this information if they are providing the ticket for a guest. Anyone that does not abide by our protocols may be denied entry to our facility.

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